Cigarettes online – Buying Cigarettes Online E Sat, 18 Sep 2021 10:04:57 +0000 en-US hourly 1 Cigarettes online – Buying Cigarettes Online E 32 32 CEO, Retail News, ET Retail Sat, 18 Sep 2021 03:29:00 +0000 New Delhi: The online grocery ordering platform Grofers said on Friday it was taking several steps to create a more “inclusive and diverse” organization, including offering an endowment of 50,000 rupees per child to new parents and up to 10 days off per year. In a blog post, Grofers co-founder and CEO Albinder Dhindsa said the company was “ashamed to admit that only 16%” of its workforce were women.

“We have built the organization on a culture of meritocracy, but the truth is that these same policies and processes may not give some of our employees the best chance to thrive. We champion cognitive diversity, so we can do our best, “he added.

Dhindsa noted that the company “still has a long way to go” but has taken steps to build a “more supportive, inclusive and diverse organization”.

The company has more than 2000 employees.

“We want our employees to think like owners of the organization and, therefore, assign ESOPs (employee share ownership plans) to employees, so that they can share the wealth and value they create for the company. organization.

“More than 24% of our employees already have ESOPs in the company, and we will continue to integrate more manufacturers into this group,” he said.

The Zomato-backed company has also removed probation and notice periods.

“We trust our people and want to build with mutual respect, rather than relying heavily on politics. Politics shouldn’t push people to do something they wouldn’t want to do in their absence,” Dhindsa said. .

Women and transgender employees at Grofers can benefit from up to 10 days off per year, he added.

“We are offering 26 weeks of paid maternity leave and two weeks of paid paternity leave for parents of newborn babies, including surrogacy and adoption cases, and for same-sex partners who do not give birth. .

“New parents receive an endowment of 50,000 rupees per child when they welcome their child into the world,” said Dhindsa.

Apart from that, Grofers is now strongly indexing people’s growth demand and actively investing to help them acquire more problem-solving and leadership skills to help them grow along the way, he added.

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A Largo woman smoked on the Capitol during a riot. Now she, her husband is facing charges. Fri, 17 Sep 2021 18:37:59 +0000

TAMPA – A couple from Largo were arrested this week on charges stemming from the January 6 uprising on Capitol Hill.

According to federal court records, Marilyn and Thomas Fassell were among a crowd of supporters of former President Donald Trump who stormed the Capitol following the November 2020 election. Surveillance footage and photos – including a selfie of Marilyn Fassell, 58, smoking a cigarette – confirms they were inside for about 40 minutes, a federal agent wrote in a September 9 complaint that was unsealed Thursday.

They each face four charges: entering or staying in a building or on restricted land; disorderly and disruptive driving in a building or on a restricted site; disorderly conduct in a Capitol building; and parade, demonstrate or picket in the Capitol.

“It’s a joke if you ask me,” Marilyn Fassell told the Tampa Bay Times.

She and her husband said they didn’t think entering the building was illegal because they had been invited inside by a man they believed to be a Capitol Police officer. Thomas Fassell, 67, said the man wore black pants and a black uniform shirt that matched what other officers wore.

This was not the first report that police had helped rioters. A month after the siege, Capitol Police officials announced they were investigating dozens of them, some of whom were caught on video escorting rioters into the building.

Tom Fassell, who said he was a disabled US Air Force veteran and a retired US Postal Service employee, added that neither he nor his wife engaged in disorderly conduct, other than his wife smoking a cigarette. They both believe the insurgency was organized by antifa, a left-wing group of anti-fascist activists, and US House Speaker Nancy Pelosi, a Democrat.

There is no evidence that this is the case, and federal agents have repeatedly debunked this claim. The Fassells, like many that day, said they went to Washington because they believed voter fraud caused Trump’s defeat in the November 2020 election, a claim that also has no factual basis. The siege came as Congress prepared to certify the Electoral College’s results, sending senators and representatives, including Pelosi, to flee for security reasons.

Related: Politifact: There is no evidence that the antifa stormed the Capitol. The rumor spread quickly

Online counseling led the FBI to the Fassells, according to the complaint. A woman told a federal agent that on January 10, her colleague, Thomas Fassell, boasted and showed videos of him and his wife inside the Capitol during the uprising.

Thomas Fassell said on Friday he was not bragging. On the contrary, he said, he wanted to show how beautiful the interior of the Capitol was. He and his wife had never been there before. The Fassells also stressed that they were cooperating with the authorities.

“We are law-abiding people,” said Marilyn Fassell, adding that she is a home health aide who works with elderly patients. “So I have a heart. I just don’t want communism to come to our country.

Screenshots of surveillance footage that appears to show Marilyn Fassell, de Largo, inside the Capitol during the January 6 uprising. The screenshots were included in a federal complaint describing her and her husband’s involvement. [ U.S. District Court for the District of Columbia ]

On January 22, federal agents questioned the Fassells at their home in Largo. Marilyn Fassell told officers that she and her husband entered through the front doors, which were partially broken, and that they did not know it was illegal to enter inside. The interview summary included in the complaint does not mention what they said to the Times Friday about a police officer inviting them to enter.

The complaint cites several videos officers found on Thomas Fassell’s phone. In one of them, Marilyn Fassell can be heard saying, “We broke up on Capitol Hill.” In another, she said, “This is my house, we pay taxes for it” and “We pay their wages”.

The Fassells turned into authorities on Wednesday at the Federal Courthouse in Tampa, Thomas Fassell said. Their first appearance is scheduled for 1 p.m. Monday. These are two of the more than 600 people who were indicted in the events of January 6.

Capitol and Washington DC police are planning another protest by Trump allies scheduled for this weekend. It aims to support those imprisoned for charges arising from the siege of the Capitol.

• • •

Tampa Bay Times cover of the United States Capitol

RESPOND TO THE RESPONSE: Did Race Play a Role in the Police Treatment of the U.S. Capitol Crowd?

CALL TO ACTION: Charlie Crist: dismiss Donald Trump from office by invoking the 25th amendment

25TH AMENDMENT: When can it be used against a president?

EDITORIAL: The Ugly Show captured the Trump-era GOP perfectly.

CLASS SUBJECTS: Tampa Bay teachers and parents brace for difficult conversations after siege on the U.S. Capitol

POLITIFACT CHECKS THE HEADQUARTERS: Here’s a look at the short session of the day and the chaos that interrupted it.

We’re working hard to bring you the latest coronavirus news in Florida. This effort takes a lot of resources to collect and update. If you are not yet a subscriber, please consider purchasing a print or digital subscription.

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Early returns from the Toronto International Film Festival Fri, 17 Sep 2021 06:39:29 +0000

The Toronto International Film Festival is back with a bang. Even though the options are a bit more limited for those who don’t attend the festival in person, there are still plenty of intriguing possibilities to be had.

Attached, a batch of films from the first opening days of the festival.

“Little Mum” – Céline Sciamma’s charming film takes place carefully at the beginning of autumn, a particularly enigmatic period when everything is in transition between summer joy and winter solemnity. We meet 8-year-old Nelly (Josephine Sanz) as she bids farewell to the other elderly women at the nursing home where her grandmother has just died. Accompanied by her grieving mother, Marion (Nina Meurisse) and her nonchalant father (Stéphane Varupenne), the young girl goes to her grandmother, where her mother grew up, to do the housework one last time.

While wandering in the woods, she meets another 8-year-old girl also named Marion (Gabrielle Sanz), who turns out to be, by an unexplained and magical twist of fate, her own mother, for only many years. Naturally, the two immediately hit it off and spent the few days they spent together playing games, baking pancakes, taking a raft ride, and enjoying each other’s company. Sciamma, whose previous film was the scintillating “Portrait of a Lady on Fire”, once again called on the visual magic of cinematographer Claire Mathon, to produce a work of singular beauty, albeit aptly. calm.

It is almost impossible not to fall for Nelly, with her jovial precocity (“I’m leaving!” She announces to her parents on their first morning in the house, after having swallowed her bowl of cereal), and her old-fashioned affect. soul – in one scene, she watches her father sleep in a crib and gently pulls the blanket over his shoulders – and the relationship she has with young Marion, even after explaining the situation to her, is remarkably low-drama, almost impassive. In one of the film’s most deeply felt moments, shortly before the couple are forced to go their separate ways, young Marion tries to allay Nelly’s fears about her adult mother’s apparent depression: “This n it’s not your fault, ”she said solemnly. “You didn’t make up my sadness.”

Rating: 10

“My Wife’s Story” – Based on the novel by Hungarian author Milan Fust, Ildiko Enyedi’s drama is one of those relationship dramas where spouses act totally impenetrable, no one is happy and everyone smokes constantly. This last element is no understatement: virtually every scene in the film is formed around the act of characters pulling out their silver cigarette cases and lighting up.

Set in the 1920s, we meet veteran captain Jakob Storr (Gijs Naber), as he brags to his businessman friend, Kodor (Sergio Rubini) at a Parisian cafe, that he could marry the next woman to enter the place. Much to everyone’s regret, this woman turns out to be Lizzy (Léa Seydoux), a young ingenuous, who takes an interest in the great captain and accepts his immediate offer of marriage, even if it could hamper her cosmopolitan lifestyle of hanging out. in bars and endlessly flirting with everyone, especially the wealthy twit Dedin (Louis Garrel, whose assortment of mildly dismissive expressions shake things up when he’s onscreen). Soon Jakob, an honest and straightforward man by nature, is turned into emotional knots by Lizzy, who alternately treats the hapless captain with a seductive cocktail of derision, lust and disrespect, turning her proud strongman into a moaning shell. . Enyedi uses a constant stream of atmospheric still shots – especially when the captain is on board the ship – and the actors do an admirable job with a script that sometimes seems poorly translated into English, but at nearly three o’clock, and with the minutiae of the sufferings that the captain endures documented endlessly in the midst of clouds of cigarette smoke, the film goes beyond its welcome. He has a strong enough draft, but not enough draft.

Rating: 5

“Attica” – A documentary on the infamous 1971 upstate prison uprising in upstate New York, the Stanley Nelson film, via news footage, modern interviews and surveillance footage from the New York State describes the five days in September when inmates knocked down their guards, taking many of them hostages and desperately trying to peacefully negotiate more humane living conditions for themselves.

The men all gathered in the central outer area of ​​the prison, known as “Times Square,” where they asked to be heard in person by a carefully selected observation committee (including some members of the press, a sympathetic senator named John Dunne, and Chicago 7 trial attorney William Kunstler), as well as state correctional commissioner Russell Oswald. Negotiating in what they believed to be in good faith, they had almost come to an agreement with the state, but when one of the beaten guards taken to hospital later died, Governor Nelson Rockefeller – leading the way running for president, and moving closer to President Richard Nixon, the original president of “law and order” – called for a massive build-up of state troops to pour into the yard and open fire.

In the chaotic bloodbath that followed, some 29 prisoners and 10 hostages were killed, and dozens more were beaten, tortured and cited as examples. Unsurprisingly, the uprising, made up mostly of colored prisoners, met with savage brutality. Such was the racist atmosphere that immediately after the rebellion was suppressed – but before it was revealed that soldiers actually killed a third of the hostages in the process – a police captain’s update local was greeted with applause and chants of “white power!” a crowd. Heartbreaking, but necessary – Nelson points to the film’s climax with gruesome stills of death and suffering – and yet another remarkable document of outright brutality that those in power will use to challenge their authority.

Rating: 8

“Night Raiders”: Given that the United States has become so bogged down in its own debate over racial atonement in recent years, it is possible that some Americans are unaware of the racial calculation that is going on with our neighbors by elsewhere friendly from the north. Canada is undergoing a painful examination of its own brutally racist history of forcing Indigenous children into special residential schools, where they have been routinely beaten, tortured and killed for nearly a century.

Danis Goulet’s film, which she wrote and directed, sets her social commentary in the future, after a brutal civil war divided Canada into a utopia for “citizens” and a hellish landscape for anyone in the world. on the other hand, including, we must presume, any indigenous people, whose children are identified by roving drones and automatically taken to the school of forced indoctrination. Niska (Elle-Maija Tailfeathers), a screaming woman from the bush, has been hiding in the forest with her 11-year-old daughter, Waseese (Brooklyn Letexier-Hart) for years, but when the child gets her leg caught in a bear trap and the wound becomes infected, her mother is forced to let her have her removed so that Waseese can receive proper medical care.

In misery without her, Niska lives in the dilapidated town and spends her evenings outside the fortress-like dormitory where her daughter is being held. There, outside the school grounds, she ends up meeting a group of free Crees living in an encampment deep in the woods, where they chase the children from the school to join them in freedom. . Responsible for taking the freed children further north, Niska only agrees to go if they can free Waseese first. With its direct line to the common practices of the past, Goulet’s film could easily have degenerated into so much topical didacticism, but instead, it’s done sensitively, with solid performances from its cast and enough focus. visual acuity (and good art direction) to make it work surprisingly well. As the director pointed out in her pre-screening commentary, all of the government policies portrayed in the film were, in fact, based on the horrifically real policies of the Canadian government for many horrible years.

Rating: 6.5

“Murina” – Many teenagers may claim to hate their parents, but few are as provocative as Julija (Gracija Filipovic), a young woman living on an otherwise idyllic Croatian island with her wise mother, Nela (Danica Curcic) , and quite domineering, former sea captain father, Ante (Leon Lucev). Subject to the regular brutal commands of her father, who demands that she go underwater hunting with him every morning, and unable to convince her mother to leave him, Julija is as trapped as one of the captured moray eels that Ante favors for. dinner (the film operates with such metaphorical lines quite often, as befits its title).

However, when an old, very wealthy friend of Ante comes to visit her, Julija begins to plan a potential escape plan. Apparently there to hear Ante’s plan to build an expensive complex on land the village cannot use, Javier (Cliff Curtis) instead takes the opportunity to reconnect with Nela and befriend his daughter. now full of hope. Antoneta Alamat Kusijanovic’s film, which won the Camera d’Or at Cannes in July, is indeed stunning to watch (although with its picturesque cliffs and stunning blue sea, DP Helene Louvart certainly has had a lot of work with her), and Filipovic is thoroughly engaging as the downtrodden but fierce Julija – her anger is almost entirely contained in her eyes, the one thing that betrays her rage to be commanded endlessly. As lyrical as the movie can be at times, it’s still grounded in some pretty harsh reality – there are plenty of shots of stabbed eels and gutted fish, with Kusijanovic’s steadfast camera holding the shots as if you dared to turn away. – which makes its end enigmatic, a sequence more dreamlike than concrete, gives the impression of being a bit of a cop.

Rating: 6

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Two injured in Baltimore County shooting on Wednesday – CBS Baltimore Thu, 16 Sep 2021 17:17:00 +0000